Rosie Munro Kerr
︎︎

SELECTED GROUP EXHIBITIONS


2020
Shifting Boundaries. Interactive online exhibition for The AntiMA curatorial residency, curated by Celina Loh.
Visions of a Future. Interactive collective and archival map by ElMalArt that uses research to prophesise a location-based future scenario. Exhibited at Distant Peaks, London and online.
In My House. The AntiMA group exhibition, curated by Abi Miller.
Waterworks. Gallery North, Hailsham. Curated by Charlotte Still & Clair Whistler.
2019
Beta Society. Tate Exchange, Tate Modern, London (as part of the Digital Maker Collective).
2018
Drawn Beyond. Wimbledon Space, Wimbledon College of Art, London.
Art Works of the Future. Tate Exchange, Tate Modern, London (as part of the Digital Maker Collective).
2017
Virtually Real Environments. Tate Exchange (as part of the Digital Maker Collective). Tate Modern, London.
Digital Friction. Tate Exchange (as part of the Digital Maker Collective). Tate Modern, London.
Deconstructing the Digital. Tate Exchange (as part of the Digital Maker Collective). Tate Modern, London.
InTransit. Old Parcel’s Office, Scarborough.
Digital New and the Familiar. Tate Exchange (as part of the Digital Maker Collective). Tate Modern, London.
2016
MozFest (Digital Maker Collective).
CCW Digital Maker Week, Chelsea College of Art, London.
NTWRK. The Exhibit, Balham, London (January-March).
2015
CoLAB Open Process. SPACE studios, The Triangle , London.
CONFLUX. The Electricians Shop, Trinity Buoy Wharf, London.
Wimbledon College of Art MFA Degree Show, Wimbledon College of Art, London.
Chelsea Jam. CCW Digital Makerspace, Chelsea College of Art, London.
Park15. Cannizaro Park, Wimbledon, London.
MAKE/CREATE. Queen Elizabeth Scholarship Trust/Griffin Gallery. The Crypt Gallery, Kings Cross, London.
2014
Q-Art. APT Gallery, Deptford, London.
The Interim. The Crypt Gallery, Kings Cross, London.
In Situ. Russel Space, Wimbledon College of Art, London.
Home is Where the Art is. Chelsea College of Art, London.
Park14. Cannizaro Park, Wimbledon, London


RESIDENCIES & AWARDS


2017
Collusion commission (shortlist), with partners including Arts Council England, Anglia Ruskin University, and Leverhulme Centre for Future Intelligence.
Teaching & Learning Fund (as part of the Aether project). University of the Arts London.
2016
Digital Maker Collective, University of the Arts London, Alumni Artist in Residence.
2015
CoLAB. [space] Studios: Art and Technology Incubator, Associate Artist.
Sedna Lighting: manufacturing sponsorship.


WORKSHOPS


2018
Make a Mini Mechanical Cyborg (inspired by James Henry Pullen’s giant automaton).  Watts Gallery, Guilford.
Imagine If Festival. Tate Britain, London.
2017
Macaroni Robots and Things. FutureMakers: Uncertainty Playground. London Design Festival, London College of Communication.
Mechanical Mazes. Somerset House, London.
Make an Intergalactic Space Buggy workshop series (as part of the Aether project). University of the Arts London.


OTHER PROJECTS


2020
TheAntiMA. Participating artist, Brighton.
2019
Open Design and Manufacturing Project. Research Fellow. Univeristy of the Arts London, funded by the European Commision.
2018
Growing Space.  A collaborative project between the University of the Arts and Green Lab to design an indoor growing environment, part of the Open Design and Manufacturing Project. University of the Arts London, funded by the European Commission. 
2016-17
Aether. Web platform for real time data sharing between IOT artworks and objects. Collaborative project with Daniel Bandfield, University of the Arts London.
2015
CONFLUX.  The Electrician’s Shop, Trinity Buoy Wharf. Producer and Exhibition Organiser.
University of the Arts postgraduate courses and Goldsmith’s, University of London. Funding received from Trinity Buoy Wharf Trust and University of the Arts, London Postgraduate Communities fund.


EDUCATION

2015-16
CodeFirst:Girls. Front end development/Back end development: Ruby (selected)
2013-15
Wimbledon College of Art. MFA Fine Art (Distinction)
2007-11
University of St. Andrews. MA (Hons) Art History (2:1)
Mark